... So yes i will take the upgrade for sure.
Well I have installed the Secraft GH3 conversion kit. To my mind it is typical Secraft. A beautifully engineered poor design.
• A seemingly insignificant but annoying omission is the cable channel bottom rear to tidily and safely route the delicate HDMI cable.
• The biggest sin is the base plate which has
not been made deeper to accommodate the extra dimensions of the porky GH3. This means the camera sits too far back and balance is a real issue.
• The standard 14mm pancake is too light to balance gimbal so you are obliged to use a heavier lens, e.g. the 14-42 compact (which has a narrower 14mm FOV than the 14mm pancake!!!).
• An aggravating aspect of the 14-42 compact is that the camera must be on for the whole Zen balancing process (approximately three days!) because the lens extends when on.
• Or else you turn the camera on so that the lens extends, remove the battery, switch off the camera, replace the battery and then mount it all in the Zen.
• The front vertical IMU brace could be wider with two screw holes of lateral adjustment available (like the original)
• This brace could be at least a whole 1mm thinner because it clashes directly with the front battery compartment bulge of the GH3.
• Without destructive surgery to the remote connector it is impossible to mount the GH3 with the standard remote cable attached. There is simply insufficient space.
The original Z15G places the camera lens smack in the centre of the Roll axis - where it should be. The porky GH3 has to sit with the lens off-centre to the left if it is going to stand any chance of balancing. This not something that Secraft can address but I do wonder if DJI has addressed this with the GH3 Zenmuse?
Balancing the Zen with GH3 takes about three days, because each time you do it you know you could do better. Unlike the relatively straight forward procedure of correcting a poorly setup Zen with GH2, the GH3 demands a TOTAL and DRASTIC adjustment of all three axes
plus lateral, the most fiddly being the the angle of the two arms holding the Tilt tray because it moves when the difficult to access screws are tightened and messes up the state of balance. The pan axis
cannot be balanced. There is insufficient adjustment travel. You can get pretty close with Tilt and Roll but it is nigh impossible to achieve perfect Tilt/Roll balance with the camera at all positions i.e. 0°, 45° and 90°.
All of this heartache is because the stupido's at Panasonic disabled the GH2 composite video output during record and then on top of that, they botched the HDMI output so that it reverted to a default 1080 setting. Tits, Tits, Tits.