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Those lens snobs are the people that direct commercials we all watch prime time like att&t, Nike, Toyota. Feature producers i'm scared to mention in public, none the less, there aloud i guess, there work is astonishing the gh4 is all lined up, we have a beautiful disabled yoga instructor...

take that haters...... Thanks for paving the way bro, you da man http://motherboard.vice.com/read/commercial-drones-are-completely-legal-a-federal-judge-ruled http://www.politico.com/story/2014/03/faa-small-drones-ban-104393.html?hp=r3

in particular when there in metal cases and i believe any imu that is real now days is heated to warm up to temp and not go through temp drifts like he has going on. weird that all his stuff does it, know what i mean We have rf explorers, most of the time we see nothing, but you get in a city...

we will offer a gimbal in the next 6 months that'll carry a gh3 to epic any glass and is affordable.... That's where we shine, we all engineer..... I'm dying to announce it and share the footage

if your serious, we are all looking at the same stuff way differently than i ever imagined.... so every axis isn't bouncing all over? even in no wind? slo flying..... man, seriously? this is raw footage of actually flying the thing of our first version of alexmos gimbals a year ago...

you don't even see the affects from gain tuning till it hits wind of any speed. That's kinda where the highway meets the rubber. The cold could be making it that way too, are you aclimating the rig or just walking out of a hot house and flying? it's an energy vortex from all the beer you pour...

I do cameras as a hobby, gotta hire them to run my biz so i don't doubt your not super smart and you can't fool folks, but pulling focus with follow iris zooms is kinda the angle were heading, feature stuff.... i'm just a pilot that can build his own stuff and keep it up there... put it where...

Brian Howard (boredhead), Some cat that was friends with go pro and myself all contributed the aerials in this one.... Fun guys, do it again sometime

I'd take you up on that but nothing here was less than $600, and that one looks the sharpest, but not in the dark..... or twilight just because were in the sky doesn't mean all we do is typical tall aerial shots, were low altitude close quarters needs quality glass to mate with epic...

Bart texted me yesterday that he found 4k tv's on the wall in costco.. $3800

in video, because we gotta run the frame rates at certain levels so everything is right, it takes faster glass to get in the dark and not look dark.... in photography you can tweak the camera out to do so many different affects or to bring the light up, flashes to fake a moment in time to be...

just got a set of the 4014-380 to check out on a disco and the first thing that i noticed is how many poles shes got. just so i asked, simonK esc's work fine on these, right? they sure are sexy. Dam, perfect timing too with the t-motor fiasco going on right now. I'd like to see anybody trying...

i like that outer stuff they got on that forum, the chat and such on the bottom border. Chat would be nice for people that wanna help noobies through stuff step by step.... sucks to not have it stick in the forum though, but alot of times it's the same stuff and those guys are gonna ask in a new...

the gimbal is suppose to break away and just go limp till you rebuilt. this isn't normal,,,, see if the pmu still talks to a pc and see if there is voltage on that pmu cable that goes to naza

you can but it seems from history to be the method to crash one.... i ran wookong for a year on ezuhf using ppm input, not sure but it seemed when it left me that there was some sort of incompatibility at times, saw a few disconnected sessions where it'd just quit responding normally and go...

i've been on dreamhost for 15 year, had my store going on a dedicated server, was money..... they have a decent support, but no phone number and i know bart loves the phone,,,, for extra money they'll call you back. It is a mark on the bedpost, got somebody pissed at ya. I've always like...

you will be constantly backing up but that's safer anyways. i like the tight lenses when the gimbals do em smooth thanks

quinton, are the fixed primes generaly faster like that or is just that lens? I haven't looked at anything other than m43 as a hobby at best so i'm asking for knowledge. When we film with reds the lenses are blazing fast, nice zeis cinema stuff..... i know there money i'll never have so never...

that sedona footage was shot on that lens, 12-35 f2.8... set to 20mm if i remember right,,, wish we weren't so tired there i would have flown some better glass, was afraid to change things once we started though.... this crap is hard enough to figure out

sweet spots being f7 and f11 or there abouts..... pretty slow for vids we produce, needs follow everything enabled to nail shots with zoom like quinton mentioned sure is a sexy looking little thing. they have always had nice light m43 glass, just keeps getting smaller and lighter