SO what do you guys think? Skyjib 8 v2 ti or Skyjib x4Ti and why. Performance wise that is. Will be using DJI a2 lifting up to 5D MkIII possibly red in the future but for now up to 5D
Thanks!
Jon
I've heard nothing but great things with a coax setup and the newly released U7 motors. I pulled the trigger for this new build: x4-qr with A2, U7 t-motors, castle 75amp edge lite's and 16" T-props. Might upgrade to 18" props later.
There is a lot of talk about coaxes being more stable in wind. Based on the experience of people claiming this, I have little doubt that this is true but purely for interest I wonder if there is any video of two similar specked aircraft tested side be side. It would be intriguing to see what the differences real are.
Horses for courses indeed.. Also ask yourself "WHAT DO I WANT IT FOR" and "DO I REALLY NEED A MACHINE THAT BIG".. My work horse is an ADX3, here see is coming home after a long long flight over the somerset floods.
When you are on the hoof moving from location to location, maybe 6 or 7 in a day putting in 20+ flights anything much bigger is a real pain. I have done it with my X4 which is bad enough but to do it with a big flat 8 would be a whole new ballgame IF you have not got your transport bob on. Yes you may well get a flat 8 in the back of a 7 seater BUT what about charging, other STUFF you just have to take with you, where does your crew and there wellies go!?
I have a Transporter fully kitted out but even this is not big enough as by the middle of the day its a pig sty as we are so busy charging, logging, downloading, flying, charging, logging, downloading, flying so to do all this with a big flat 8 would be a bloomin mare.
In a perfect world we will be flying from a beutiful location, deck chair out, cool box full of coke, babes mopping your sweating brow and a film crew and Director asking what you want to film next.. when does that ever happen?
On our last assignment for Panorama we flew 21 flights from 6 different locations from sunrise to sunset, wellies full of mud, van looking like it had done the lombard world rally on the outside and the inside looked like a hurd of wilder beast had been through it..
So the moral of the story here is.. think very carefully what you REALLY need a machine for and especially when you are up in the SJ world.
Dave
Really depends on what you are going to be shooting, and I guess your location and your transport. In the UK I would go go for X4 every time. I would rather sacrifice some efficiency for transportability and usability over a wide range of flying conditions. If you are in sunny california with a monster truck and have those blue sky california days then I guess you would go for a flat eight. As for flight controller mmm thats a very tricky matter. WKM for me every time over A2 but I guess others my disagree.
Dave
Some VERY wise words from Dave there. Our next rig will be SMALLER than our current workhorse. With cameras like the GH4 around the corner, the days spent flying a Red will be rarer. There is certainly a time and place for flying the Red and similar sized cams, but many producers aren't willing to cover the additional expense. For a day filled with location changes, a mid-sized rig, such as the one in Dave's video, is much easier to haul around.
Horses for courses indeed.. Also ask yourself "WHAT DO I WANT IT FOR" and "DO I REALLY NEED A MACHINE THAT BIG".. My work horse is an ADX3, here see is coming home after a long long flight over the somerset floods.
When you are on the hoof moving from location to location, maybe 6 or 7 in a day putting in 20+ flights anything much bigger is a real pain. I have done it with my X4 which is bad enough but to do it with a big flat 8 would be a whole new ballgame IF you have not got your transport bob on. Yes you may well get a flat 8 in the back of a 7 seater BUT what about charging, other STUFF you just have to take with you, where does your crew and there wellies go!?
I have a Transporter fully kitted out but even this is not big enough as by the middle of the day its a pig sty as we are so busy charging, logging, downloading, flying, charging, logging, downloading, flying so to do all this with a big flat 8 would be a bloomin mare.
In a perfect world we will be flying from a beutiful location, deck chair out, cool box full of coke, babes mopping your sweating brow and a film crew and Director asking what you want to film next.. when does that ever happen?
On our last assignment for Panorama we flew 21 flights from 6 different locations from sunrise to sunset, wellies full of mud, van looking like it had done the lombard world rally on the outside and the inside looked like a hurd of wilder beast had been through it..
So the moral of the story here is.. think very carefully what you REALLY need a machine for and especially when you are up in the SJ world.
Dave
Aye up ben 100% fast and furious can thappen with biguns..
Here is what I cut from 1 Days filming dawn till dusk
PASSWORD = floods
Its been edited from this version but have not had the connection to upload... why.. coz I am on the road again.. life and times of a MR pilot ah! maybe I should write a book!