ken,
put the props under the arms. that's my plan for Son-of-Okto and I'd love to see how it helps a standard frame with airframe vibrations. it's an easy mod for standard frames, I just haven't had the time to pull my stuff apart when I'm still trying to get rev 1.0 done and flying.
good luck,
bart
Flipping the motors would actually be a very easy thing to do on the Droidworx frame, remove one bolt and rotate the arm 180 degrees, reinsert bolt. Problem there is I'd now have the motor and prop in full view of whatever I have mounted on the camera platform. As it is right now the end of the arm is either in view or dips into view occasionally depending on what resolution I have the GoPro set for. I wonder what the end result would be if I just flipped the motors on arms 2,3 and 5,6? Interesting to think about though, when flipped the motors would be pushing up on the airframe rather than pulling it up as it does now.
I stripped the Hexa down early this AM, takes all of about 10 minutes the way I have it built now with bullet connectors on the motor leads. Tried some rubber between the center plates and one of the arm mounts, doesn't seem to have much of a deadening effect using my high frequency testing methods. I took the motor off the mounting pad and was rotating it and noticed that just the action of the motor turning on the bearings and the magnets passing the windings can generate a fair amount of vibration by itself. I don't know that its possible to eliminate all the vibrations just due to the fact that there's six motors all buzzing away at the same time and continually changing RPMs, even if everything were precision balanced. I think the only real solution to the video buzz from vibration is down the route that PhotoShip one took with the mkTR rubber mounting system to stop the vibes from getting to the mount though that can present its own unique set of problems if the mounts aren't exactly the right stiffness.
At this point I'm thinking of digging out the stock frame and reassembling the electronics into it just to see the difference between it and a complete carbon fiber frame with the same lower unit and mounting system. If there's no significant change in the video with the Canon Vixia mounted then there's no point in trying to squash the vibes in the frame itself and time would be better spent devising a working isolation system between the upper and lower units. If there is a large difference then the problem is the carbon fiber frame and at that point I'd have to rethink what parts are going to be used to build the best video platform with what I have available. Judging by the video I took with the stock Hexa and a couple different camera mounts, I don't think the carbon fiber is to blame though, I think it's just the nature of the beast.
More experimentation to come...
Ken