You have to start with the model and work backwards. My camera system is a stand alone device, it does not use the FC outputs. First you need to understand why camera movements above 5 degrees per second will produce blurred pixels which do not respond very well to post stab. software, if you have to rescue poorly shot footage. A pro camera system works on an inner and outer axis principle where the inner axis is caged to stay within less than twenty deg/sec so that very high sensitivity gyros can control it. Such gyros would saturate and lock up the system if you start trying to fly like an idiot. My camera ship will not fly in acro mode. It can fly fast but all rates of movement in pitch yaw and roll are very slow. The models FC gyros have a smaller Full Scale Range and are about 25 times more sensitive than the ones in your average model. Thus, the inputs have to be limited so that you simply cant over control it. Otherwise it would crash. That is not to say that the gyro response is also slow. It is in the order of 50mv/deg/sec as opposed to say 2 mv/deg/sec from something like an AD 610 fitted to an MK. Deadband and noise are in a different world.
In our model pro mount we use the model itself to create that outer axis. So the model is the first stage of keeping things slow. It gets much more complex but I have to start with the basics. Now, you may not be interested in a pro system such as mine but the principle is still very similar, if you plan to use the FC outputs to control your camera. You need to restrict the turn rates of the model, kill the vibration by creating mass on the camera base plate, Keep all camera movements very slow. Then if you use a decent image stabilised camera it has a chance of working like my inner axis and you should be able to get pro level quality at wide angles of view.